DIALOG BOX IN JRPGs
The dialog box conveys what characters are saying and it’s a UI element the player is going to see over and over again. That’s why its’ design needs special attention.
TALES OF THE ABYSS: MENU SCREEN DESIGN ANALYSIS
The inspiration for creating an interface can come from multiple parties. A great example of this is the Tales of the Abyss menu screen, because it’s like a postcard.
LIST OF SOME ART BOOKS: DESCRIPTION AND COMMENTS
In recent years, my obsession to acquire Art Books increased, so now I have a small collection of them. This made me observe how each book has a different utility. So, I want to talk about them to help the Art Books lovers as me to decide what to buy according to their needs.
SECRET OF MANA: WORLD MAP ANALYSIS
For enjoying a video game, the player has to feel immersed on it, and that’s why its creators have to work in each component that forms it. Some of these elements have been discussed in this blog, however it’s time to add another visual item to the analysis list: the World Map.
CODE: REALIZE – CHARACTER DESIGN ANALYSIS (PART 5)
The last part of the series of the design of the five main male characters of “Code: Realize – Guardian of Rebirth (コードリアライズ Code: Realize ~創世の姫君~)” is finally here! The energetic and carefree Impey Barbicane is the one who has the honor of completing this series.
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MEGA MAN X: LOGO DESIGN AND ITS EVOLUTION
Let’s analyze how a logotype can communicate a little about the protagonist, the game mechanics and the story. All this in just one image!
CODE: REALIZE – CHARACTER DESIGN ANALYSIS (PART 4)
Now is the turn of the enigmatic Count Saint Germain that not just hide many secrets in this Otome, but also there is much speculation about his real life.
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CODE: REALIZE – CHARACTER DESIGN ANALYSIS (PART 3)
The series of the design of the five principal male characters of “Code: Realize – Guardian of Rebirth is going to continue. This time is the turn of the handsome “Human Weapon” Abraham Van Helsing.
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MYSTIC MESSENGER: LOGO DESIGN ANALYSIS
For this occasion I decided to take a little break from the series about the characters of “Code: Realize” and talk about the game that is somehow the culprit that I start writing this blog: “Mystic Messenger”
HAPPY HOLIDAYS!!
The time really flies, I created “The Picky Champy” in May, and we’re already in December, one week away from Christmas and two from New Year.
CODE: REALIZE – CHARACTER DESIGN ANALYSIS (PART 2)
Victor Frankenstein belongs to the literary world as the main character in Mary Shelley’s 1818 novel “Frankenstein, or, The Modern Prometheus”.
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CODE: REALIZE – CHARACTER DESIGN ANALYSIS (PART 1)
“Code: Realize – Guardian of Rebirth” is an Otome inspired in the steampunk culture and the characters came from literary and historical figures.
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IMPORTANCE OF ICONS IN JRPG
An icon is an image or symbol that represents a concept and, inside JRPG video game, these are very aware inside the main menu.
FINAL FANTASY TACTICS: INTERFACE DESIGN ANALYSIS
Final Fantasy Tactics (FFT) is considered a jewel in the video game world.
ŌKAMI: AMATERASU DESIGN ANALYSIS
Ōkami is a game inspired by the Japanese watercolor and wood carving art of the Ukiyo-e style.
AMNESIA: MEMORIES CHARACTERS DESIGN ANALYSIS
Amnesia is a Japanese visual novel series developed by Idea Factory and classified as an Otome game. I’m going to centralize my article to the first one, entitled “Amnesia: Memories”.
MYSTIC MESSENGER : RAY BAD END 3 WALKTHROUGH
After reading a lot of walkthroughs and with a little of luck, here it is, the detailed guide to obtain the 3rd Ray Bad End.
I AM SETSUNA: INTERFACE DESIGN ANALYSIS
I recently finished one called “I am Setsuna”. I decided to play it when I read about how it was inspired in “Chrono Trigger”, one of the best games I ever played.
IN SEARCH OF HARU: SWEET LOVE STORY – INTERFACE DESIGN ANALYSIS
On this occasion I’m going to talk about the Otome “In Search of Haru: Sweet Love Story”.
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BAD APPLE WARS: INTERFACE DESIGN ANALYSIS
For this article I decided to write about the interface design of the Otome “Bad Apple Wars”, considering how it was made on the basis of the logotype.
